Words Are Meaningless Until You Give Them Context

I like to be upfront when I start off a post. That way you can decide now if you're staying or going. So, this post is about dialogue. I will try to be short and I hope I leave you with something you can think on.

Anyway...

“I'm tired.”

This is pretty straightforward. Whoever this is would like to go to sleep or take a serious power nap.

She shifted on the bed and could see her boyfriend's face transforming. Within the next five seconds the face she'd fallen in love with, the one that could still make her heart skip would morph into something unrecognizable. The contempt on that face always left greasy knots in her stomach. She sagged into her pillow. “I'm tired.”

The context has changed the meaning of the dialogue. Yeah, she still might want to roll over and just sleep, but it's also to avoid what's going on. You can guess it's also about the state of her relationship with her boyfriend.

Good dialogue can stand on its own but great dialogue is about the context. So don't be afraid to use the context mercilessly.

“Hey.”
“Hello.”
“What's up, sweet cheeks?”
“Oh, hi, ruin-er of all good moods.”

The context is a greeting, but each one of these can tell you a lot about the character. It can tell you how they feel about the person they are talking to.

“Hey,” Tara said to her old friend.
“Hello,” Tara squeaked.
“What's up, sweet cheeks?” Tara bent down and placed kisses on her niece's full, round face.
Amir stepped into her office and all the air in her lungs whooshed out. She didn't care it was irrational for hating the way he made her feel a giggle away from embarrassing herself. She stood from her chair and smiled. “Oh, hi, ruin-er of all good moods.”

Also, just a big general tip:

I really don't prescribe to the advice to write how people talk. It's problematic because:

People are incoherent when they talk. “Oh, um, er, you know the whachamacalit? You know what I'm saying.” (This is usually when you're talking to your friends and you know exactly what a whachamalit is.

Or, so verbose you can't parse the meaning.

Or, they are communicating some information, which is usually has some importance to the people who are talking to each other. But totally mundane to anyone else.

Dialogue is not talking. Dialogue is information you're imparting to a third party who isn't a part of the conversation.

So, make your dialogue interesting, entertaining, insightful and TRUE to your CHARACTER. And read it out loud for the rhythm, not to see if it sounds like “real people talking.”

Why?

“Got a sec?”
“Do you have a moment?”
“Dear sir, I need to impart some important information.”

Everyone would say the last is how no one in real life talks. Until you put that dialogue in the mouth of someone stuffy and who is probably someone's butler.

So...that's all I've got. Yes, a real post. But look out on Friday. There'll be promotion.

Behind The Story: Everything You Need

This story sticks out when you line up my books and see what they're about. All of them, except this one, are pure contemporary romances. There's absolutely no sense of an otherworldly element.

Why did this one become an oddball?

Freak accident is why.

This book was supposed to be part of a novella with another author. That fell through. I was writing humorous women's fiction at the time that had a very strong magic realism element. I was more than sure this was the direction my writing would go. I was once again leaving behind contemporary romance. (I hadn't learn yet this is what I come back to.) I didn't see any problem adding in a disgruntled angel named Angie. (We did talk about how I'm original, right?)

So, I wrote this book and then spent three years trying to make it into something it would never be. For one, I tried to make Brice less stubborn and willful and...less like Brice. I tried to figure out how to cut out the magical element, because I wrote pure contemps. Hazel, well, I always thought nothing was wrong with her except for her love of Brice who was opinionated, passionate...well Brice. Before I decided to self-publish I was intent on opening the document where this story had grown dust and took up room on my harddrive and deleting it. I was going to wipe this story out of existence.

Two things stopped me. I had already edited the book. Like sent it off and had someone take a pound of flesh out of this book, do their best to fix my wayward sentences and so on and so forth. I had sat down and fixed all the things she told me to fix. I'd done all that. The second reason was everyone who had no thought to what this book was supposed to be liked it. They liked Hazel. They even liked Brice because he was the kind of insufferable but loveable hero. They absolutely could not wait for Tony's story.

With that in mind I decided to let the book speak for itself. It's one of my bestsellers. Who knew? (Ok. Everyone but me.)

In the end, even though I was dead wrong, I get to write Tony's story. He's a charmer. I love to write charmers. I do. I absolutely do. So, I'm calling this a win. (Here's a link to Tony's storyboard.) (You can check out my books tab to find out more about Everything You Need.)

FYI: Southern Fried Chicas

Ok. The joke about this blog is that no one is actually living in the south.

But, if I'm not leaving words of wisdom here (snort) I'm over at Chicas. You really should check these ladies out. I became a grandfathered in as a member/blogger because I posted comments all the time. I still feel honored to be a part of such a smart group of ladies.

My next post is, well, up.